Timeless Looks, Impeccable Style: Masters of Design
The momentous exhibition featuring timeless designs by legends of style Azzedine Alaïa and Gilbert Adrian has been extended: Alaïa-Adrian: Masters of Cut is on view through Nov. 15, 2020, at SCAD FASH Museum of Fashion + Film in Atlanta.
“Visitors can expect to be wowed by a selection of some of Alaïa’s career-defining gowns and admire the expert use of leather and knits that he somehow elevates to stand-alone pieces of art,” said Rafael Gomes, director of fashion exhibitions at SCAD. “For lovers of fashion history, the impeccably tailored looks and the intricate detailing of Adrian’s suits are a true delight. Iconic dresses worn by Tina Turner, Grace Jones, and Naomi Campbell are not to be missed!”
Masters of Cut brings together sleek designs and impeccably tailored looks by beloved designers Azzedine Alaïa (1935–2017) and Gilbert Adrian (1903–1959). Garments on view display the intricate detailing of Adrian’s suits — the mitered stripes, clever seaming, and unexpected appliqués — in dialogue with Alaïa’s body-celebrating designs.
Pairing their work, the exhibition reveals the designers’ intertwined and enduring legacies. Alaïa was a consummate collector of Adrian’s work, reveling in the designer’s fit, form, and proportion. The Adrian garments on view, held by the Association Azzedine Alaïa, Paris, are presented in partnership with SCAD FASH. In addition to tailored looks from both designers, Masters of Cut features a selection of Alaïa’s career-defining gowns worn by fashion icons including Grace Jones. SCAD FASH is honored to host the designer’s first posthumous U.S. museum exhibition, nearly 20 years after his last stateside show.
“Our SCAD FASH exhibition of Alaïa and Adrian conveys the unique energy of a couturier collected by a couturier,” said SCAD President Paula Wallace. “The young Azzedine Alaïa so admired Gilbert Adrian — famous for Dorothy’s luminous ruby-red slippers and much more — that he ultimately collected more than 150 of Adrian’s original pieces. Using the precision of laser cutting to achieve designs perfectly fitted to the body, Alaïa himself, like Adrian before him, became an exacting master of intricate and elegant couture. Genius knows genius!”
Widely known for his fanciful designs for The Wizard of Oz, Adrian was the head of costume design for MGM during the Golden Age of Hollywood (1928–41). His garments for stars like Greta Garbo, Joan Crawford, and Norma Shearer were praised by the fashion press and emulated by stylish moviegoers worldwide. In 1942, Adrian established his own atelier in Beverly Hills, and for the next decade his chic, strong- shouldered, narrow-waisted suits and gowns changed the fashion industry and the lives of women everywhere. Alaïa, who trained as a sculptor, left Tunisia for Paris in the mid-1950s to pursue fashion design.
His gift of construction and his obsession with cut and fit shaped garments that are unrivaled in accentuating the female form. Recognized internationally in the 1980s and early ’90s for designs draping iconic supermodels Naomi Campbell, Stephanie Seymour, and Linda Evangelista, Alaïa continued to dominate the world of fashion throughout his celebrated career.
Alaïa-Adrian: Masters of Cut is curated by fashion historian and curator Olivier Saillard and organized for SCAD FASH by Rafael Gomes, director of fashion exhibitions.
